Vague Vol. 1: 1979 – 1984
Issues #1-15

Vague Vol. 1: 1979 – 1984 | ^{Tom Vague
Tales From the Blank Generation}

VAGUE :: VOLUME ONE: 1979-1984 :: PAPERBACK :: PC-PRESS :: 2023 :: PG. 492  :: WEIGHT 1,8 KG :: DIMENSIONS 30cmX25cm :: ENGLISH LANGUAGE :: DISTRIBUTED IN EUROPE BY RIZOSFERA ::

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Designed and produced by PC-Press and Glenn Orton.

“During the 1980s, Vague and its mentor, Tom Vague, played in the UK the same role that Search and Destroy/Re-Search by V. Vale did in the USA and Decoder by Gomma and Raf Valvola did in Italy. They brought together, in existential bibles for social renegades, punk, science fiction, avant-garde underground culture, critical philosophical theory, and street-level anarcho-communist political practice. The long transition of counterculture, from the late 1970s to the present day, can provocatively be traced through the sulfurous pages of magazines/fanzines that occupy the counter-information space between two intellectual poles: the seditious academy of Semiotext(e) by Sylvère Lotringer and Diego Cortez and the neo-punk vanguards of Tom Vague and his psychogeographical-existentialist magazine, Vague.” (Obsolete Capitalism)

Vague Volume 1 :: PC Press (Publisher) :: Rizosfera (EU Distributor)

Vague was the Post Punk Fanzine that tuned so many people into the joy of punk and the futuristic and hybrid styled music that followed it, that became known as ‘Post-Punk’ or for a period of time ‘Positive Punk’. Vague promoted the notion that a band meant something more than the music and that meaning could be shared amongst like-minded folk, the ‘lovable spikey tops’ or the like-minded ‘tribe’ that people were looking for. Vague though was critical enough to see through the growing number of punk bands who were seduced by the world of pop stardom and teen adulation. That disillusion often turned into a searching for the counter culture, or philosophy and radical politics, to find something that could inspire us to be different and to change the world around us. Vague became the go to critical counter cultural fanzine that still found music irresistible but wasn’t just a fawning FAN zine. Vague also importantly had a sense of humour, it could laugh at itself as well as brag about how good it was and slag off those it found wanting!